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C O N T E N T
volume 46 year 2017
Chapter 1 Pages
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Belichenko N.
Frescobaldi’s «fiori musicali» — bach’s clavier-ubung III: fughetta — ricercar
 4-19
Kaznacheieva T.
Peter Sokalskiy — first Ukrainian professional opera composer
 20-34
Miroshnichenko S.
First micro cycle — basis of the polyphonic cycle of V. Ivanov
 35-51
Melnyk S.
Genre and style dramaturgy of vocal cycle
52-67
Fartushka O.
The typological and the individual in P. Hindemith’s choral fugues.
 68-78
Rud P.
The stylistic paradigm in O. Shchetinsky’s creative works (illustrated by examples from the work called “The Franz Josef Land”)
 79-92
Chapter 2
Nikolaievskaia J.
A communicative strategy as an important issue in interpretology
 94-110
Ivannikov T.
The phenomenological approach to the analysis of guitar music of XX century: B. Britten’s «Nocturnal»
 111-130
Sagalova A.
Performing school in piano art: the concept of leadership (on the example of works of T.B. Verkina)
 131-143
Grigorieva Î.
Specific features of ballad genre composing interpretation and realization in the vocal cycle of D. L. Klebanov “Six ballads to poems of A. S. Pushkin” (as an example of “Wurdalak” ballads)
 144-158
Dniprovska N., Ditte L.
Refraction of spiritual poetry in the works of Mark Karminsky for children’s choir
 159-173
Kosenko H.
Timbre semantics of viola as an artistic metasystem
 174-187
Zotov D.
The impact of a personal motivation upon forming a saxophone player’s professional image
 188-201
Stetsiuk B.
Chick Corea’s piano jazz: stylistic syntheses and “conglomerates”
 202-219
Sun Tóan
The concert-virtuosic style of piano compositions of Huang An-Lun
 220-232
Liu Yi
The image of the native land in the chamber and vocal works of the Chinese composers
 233-246
Deng Kai Yuan
Features of the inner world of the hero in the opening of the Chinese chamber vocal lyric 1980s
 247-257
Liu Nin
D. Shostakovich’s Suite on verses by Michelangelo Buonarroti for bass and piano, Op. 145: a semantic key to the polyphony of conceptions
 258-274
Chornaya A.
Performance style of A. Petrosyan chamber choir of NTU
275-288
Shapovalova L.
Interpretology as an integrative science
 289-300
Chapter 3
Zinkiv I.
Yuriy Oliynyk’s double bandura concert in the context of the genre development
 302-313
Symonova O.
Laureate of international competition Interpretation of the original bandura work and pedagogical process
 314-321
Bilousova S.
Academic genres in domra works of V. Iivko and I.E. Milka
 322-332
Danylyuk M.
Orchestral and vocal-choral art of Sloboda Ukraine: genesis and features
 333-349
Oleksyuk A.
The original works of Ukrainian artists of the period of independence at the intersection of academic and folk instrumentalism
 350-365
Pasichnyak Liliya
The òraditional ensemble folk istrumental music art of Precarpathian in context of modern culture
 366-381
Prokopovych Tetiana
Mystery «Earth Morning» of Oleh Trohymchuk: intertextual parallels
 382-393
Khmel’ N.
The features of timbre and texture transformation of "Sonata for Oboe and Basso continuo g-moll» by G. F. Teleman in setting for bandura and piano (in five parts).
394-408
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