Laureate of international competition Interpretation of the original bandura work and pedagogical process
In a modern academic-professional art bandura carrying out is one of the oldest, as his root arrives at the Kobza-playerlute culture of renaissance period. At the same time industry of bandura music can be counted as the youngest in instrumental family, because original works for a bandura began massively to appear only in 50-60th years of ÕÕ century (though bases of the academic carrying out are mortgaged at the beginning of century the ÕÕ due to the inspired labour and concerto practice of G. Khotkevych). This explaines the circumstance that a question of interpretation of original repertoire for a bandura is still at the beginning of scientific development so, needs an allround and deep analysis. The adopted factors determine and stipulate the actuality of the offered theme of the article. The original works of the end of ÕÕ — beginning of ÕÕ² century are characterized by synthetic and appeal to different styles and genres. Thus it follows absolutely natural to admit the brave technical and expression necessities of present performers, that aim to carry out the works written with a modern language. The purpose of the article consists of the illumination methodically of expedient approaches in relation to mastering and interpretation of original work for bandura by young musicians in the process of studying to form their capacity for independent and sure determination of own carrying out conception of select work. The object of the work are pedagogical strategy and tactics of work with students and students at their preparation for teaching and carrying out activity. The article of the research is original work of E.Milka