The concert-virtuosic style of piano compositions of Huang An-Lun
Article examines the virtuosic style of concert of famous Chinese composer Huang An-Lun and revealed through the study of the sequence of stages of his work as an example of solo piano works and two concertos for piano and orchestra. In the analyzed piano works vividly presented the virtuoso element of concert that speaks of passion the composer’s to virtuosic pianism, examples of which can be found not only in the concerts, but also in other piano works. In the solo works of Huang An-Lun dominated the immediate influence individual style of the composer and folk style: the expressive possibilities of the piano are enriched by simulating the sound of the Chinese instrument di, quzheng, guqin. The two piano concertos of the composer are different by the imaginative composition, dramaturgy, compositional principles, but reveal stylistic unity, which manifests itself in tendency author to some found them of textured techniques. The most important is to some extent a close emotional tone of the concerts, originating from the modern vision of the world and relying on the national character. Common and distinctive features can be seen in the structure of concerts. A striking feature of the art of Huang An-Lun, including of his piano concertos, is a symphony-like sound. The artist has carried out a synthesis of the epic symphony with the dramatic. Piano Concerto Huang An-Lun launched a number of innovative performing tasks which are contributed to the development of both national and world-wide piano school. Work on the works of Huang An-Lun made an interesting ideological and artistic conception, a figurative and emotional range, used a variety of means of expression, that exciting and useful for the artist. Building on accumulated tradition, Huang An-Lun made a lot of new things in the field of language intonation, drama, shapes, textures. This is indicated by the identity shaped structure and search for interesting design in his piano concertos, the original use of his favorite method of diversity in unity (both concerts), as well as innovations in the field of intonation, shape and texture. It should be noted brilliant masterly exposition of the piano part, organic connection means of presentation with musical images of the works associated with the transfer of deep human feelings, intense conflicts. Also emphasizes the use of the rich possibilities of orchestral accompaniment: the role of the orchestra is not subordinate, and has a great independent value - the orchestra acts as an equal partner solo instrument. Thus, the concert-virtuoso component is the predominant feature of the piano style of the composer Huang An-Lun, whose work was a significant contribution to the development of the world pianistic art of the twentieth century