The òraditional ensemble folk istrumental music art of Precarpathian in context of modern culture
The tradition of folk-instrumental art of the Precarpathian got an important role in preserving the national culture of the Ukrainian people in the period of modernity. Them an integral part of appears traditional ensemble of folk instrumental art, in particular of traditional the music for trio ensemble (“gutsul ensemble”) of Precarpathian. In the studies of many scientists, in particular M. Lysenko, G. Khotkevych, K. Kvitka, A. Gumenyuk, A. Ivanitsky, P. Ivanov, M. Grinchenko, M. Haj, I. Maciejevski, B.Yaryemka, B.Vodyany, Y. Loshkov question of the traditional the music for trio ensemble involves primarily the definition of its specific features as a unique phenomenon of folk instrumental music of Ukraine. A significant contribution to research of problems of functioning of traditional the music for trio ensembles of Precarpathian are works of I. Maciejevski (the system-ethnophonie method of study of folk instrumental music and performance), S. Gritsa (the classification criteria of the forms of functioning of modern folklore), M. Haj (the characteristic features of the boykiv style of instrumental music)), B. Yaremka (the sopilkova traditional culture of the Eastern Carpathians of Ukraine: amateur and professional art), Y. Voloshchuk (the repertoire of the modern professional ensembles and orchestras of folk instruments of the Carpathian region), A. Karas’ (the transformation of the traditions of the Hutsul folk instrumental music in the work of the canadian group Kubasoniks (Edmonton, conductor Brajen Cherevik) and the author of this article. The study and synthesis of the functioning of the traditional the music for trio ensembles of Precarpathian in the period of the present time remains unexplored, which determined the purpose of the present study. The object of study is the ensemble of folk-instrumental art of Precarpathian in the late XX – early XXI centuries. Subject of research are the peculiarities of the functioning of the traditional the music for trio ensembles of Precarpathian (“gutsul ensemble”) in the context of contemporary culture. The traditional form of transmission of typical melodic turns and intonations from generation to generation authentic Hutsul chapels, their talented musicians are verbal tradition. Moreover , the artist performing a Hutsul chapel has combined the functions of author, master designer, artist and listener. The folk instrumental tradition of family of the music for trio ensembles are a feature of the functioning of Hutsul chapels in the Carpathian region. Among the most common forms of promoting, preserving and transmitting the traditions of the Hutsul chapels are for example the means of mass communication (radio, television); music collections (teaching and concert repertoire); instruction manual; presentation of the new forms of instrumental folk tradition in folklore and ethnographic concerts, regional, national and international folklore festivals, contests, parades folk art; CD disk. A new form of scientific understanding and promotion of instrumental folk music is the establishment and organization of many folklore festivals and contests in Ukraine, and especially in the Precarpathian, where you can hear the soloistsperformers on folk instruments, ensembles, orchestras of folk instruments. The folklore tradition of integrated with professional art. As a result, you can trace the transformation of the music for trio ensemble in municipal orchestra of folk instruments, folk music (expansion quantity of Hutsul Chapel, the introduction of new instruments - accordion, button accordion, clarinet, flute, trumpet, saxophone, cello, kobza, drum set, guitar, bass). The folk music orchestras in Kosiv, Ivano-Frankivsk region (conductor D.Bilanyuk), in Kolomiya, IvanoFrankivsk region (“Gutsuliya”, conductor M.Kovtsunyak), in Nadvirna, IvanoFrankivsk region (“Arkan”, conductor S.Orel), Ivano-Frankivsk (“Rhapsody”, L.Nykorak) known not only in Ukraine but also abroad are today. Consequently, the features of the functioning of the traditional the music for trio ensembles of Precarpathian at present it is the performances on the concert stage, perform original compositions, medium existence. The repertoire of studied ensembles this is a popularization of local traditions of the study area: processing arrangements authentic song and dance tunes of a district of Ivano-Frankivsk, the authors of the prevailing majority are conductors of ensembles. The folk festivals, parades, competitions, parades-concerts, where there are traditional the music for trio ensembles, designed to promote the education of careful attitude to the origins of spiritual traditions, to promote national on the protection of preservation of authentic folklore, to develop cultural traditions of mutual respect and understanding between peoples, promote the direct dialogue of representatives of professional folklore, national folklore, amateur art and authentic folk ensembles