Features of the inner world of the hero in the opening of the Chinese chamber vocal lyric 1980s
the article deals with new trends that emerged in the vocal works of Chinese composers of the 1980s. One way to update the Chinese vocal music in this period is related to the trend of the subjective approach to creativity, the embodiment of human emotional experiences. The Chinese musicalcompositions, in contrast to Europe, the importance given to the external aspects of reality — paintings of nature, animal world, etc. This is due to the specifics of the Eastern mentality and nature centrism interpretation embodiment of artistic vision of the world. Therefore, enough "new" for the Chinese modern music theme of individuality disclosure of his inner world had its own peculiarities in the national chamber and vocal works. Artistic variants implement national soil basics of the language clearly manifested themselves in the Chinese chamber vocal lyric concert plan. This genre is becoming more prevalent since the 1980s in connection with the process of revival of the deep roots of Chinese musical culture. Expands the semantic field of poetic texts, updated fret intonation, develops new writing technique. One way to update the language of Chinese music in the second half of the twentieth century, associated with the opening of the inner world of man, his personality. Vocal works by famous Chinese composer Gu Jian Feng (Gu Jian Fen) have become a shining example of the renaissance and flourishing creativity of Chinese composers in the 1980s. Her vocal lyrics is a special world, a source of inspiration for which is an ancient and modern Chinese poetry. For example, the romance songs Gu Jian Feng "This is me" on poems by contemporary Chinese poet Xiao Guang Chen (Chen Xiao Guang) revealed the specifics of the update of the musical language in the Chinese chamber vocal lyric associated with the opening of the inner world of the hero. The proximity of the content of the spirit of Chinese poetry of the creative personality of the composer suggests autobiographical principle, and shaped the scope of works becomes a kind of reflection of the spiritual impulses of its author. The song-the song "It’s me" has a strong three-part form with an average episode unfolded. The last part of the song built on speed intonation piano introduction. In the development of the musical image of the piano and vocals play an equivalent role. Emotionally expressive beginning vocal techniques emphasized vocalizations, singing combined with melisma. An important role is played by the creation of musical images of the external world, the sound of rain, the sound of the mill, Chinese tunes of pipes and the xiao di. An important feature of Gu Jian Feng vocal music was the desire of the author to reveal the spiritual world of man, his feelings and emotions. The song-the song "It’s me" became a kind of "message" of the composer. It is felt along the heart of openness and honesty with which the author refers to his "destination" — the mother. Thus, the work becomes a kind of communicative function: song - thanks to the song - a declaration of love.