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C O N T E N T
volume 51 year 2018
Chapter 1 Pages
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Botunova H. Ya.
Organizational-pedagogical, scientific-research and theatrical-critical activity of A. V. Pletniov through the prism of time
 9-40
Partola Y. V.
Problems of Teaching Theater Criticism in the First Years of the Kharkiv Theater Institute
 41-69
Shchukina Yu. P.
Features of Volodymyr Morskoy’s theatrå criticism (1920–1940 years)
 70-83
Dorofieieva O. Yu.
Activity of the T. Shevchenko Kharkov Theater in the coverage of theatrical criticism (the second half of the 1930s – 1940s)
 84-101
Kalenichenko O. N.
Fernand Crommelynck’s dramaturgy and its interpretation by Vsevolod Meyerhold and Les Kurbas
 102-114
Annichev Î. Ye.
The interaction of theatrical journalism and theatrical criticism in the modern media
 115-126
Lybo O.L.
Characteristics of Kharkiv theatre development in1840–1860’s (on the materials of State Archive of the Kharkiv Region)
 126-141
Poliakova Yu. Yu.
Researches of Kharkiv’s Theater Culture of the 19th and the first half of the 20th cc.: Problems of Historiography
 142-163
Chapter 2
Waszkiel Halina
The Puppet Theatre in Poland
 164-179
Waszkiel Marek
The Director in Puppet Theatre
 180-188
Fesenko S. Ya.
Features of the education of the actor-puppeteer
 192-208
Yevsyukov Yu. S.
Characteristic features of the upbringing of modern actor
 209-222
Virchenko O. M.
Etude in teaching of the first-year students the acting prowess
 222-241
Sgibn³eva S. S.
The role of the person-centered approach in the vocal art of a dramatic actor
 241-257
Bortnyk K. V.
Characteristic aspects of teaching the discipline “Dance” to the students of the specialization “Directing of the Drama Theatre”
 258-273
Polianska I. M.
Specificity and functions of a dance as a component of syncretic “mousikē” art of the Ancient world
 274-287
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