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volume 56 year 2020
Chapter 1
Pages
Pdf
text
Kopeliuk O. O.
First Piano Concerto by Ivan Karabyts in terms of the renewal of concertî genre in Ukraine
8-29
Diachenko Yu. S.
Pop‑jazz works by Viktor Vlasov: genre and style innovations
29-43
Lytvyshchenko O. V
O. I. Nazarenko as a coryphaeus of the Kharkiv accordion school: formation of the authorial style
43-56
Slipchenko K. D.
Domra’s sonorous possibilities in the pieces by O. Oliinyk
57-73
Fedenko A. Yu.
Musical and dramatic creativity by Olena Pchilka in the development of children musical theater in Ukraine
73-92
Chapter 2
Kodenko I. I.
Specificity of performance of Åarly Music: historical aspect
93-105
Kutluieva D. V.
Under the sign of playing: C. M. Weber’s Piano Quartet
106-120
Serdiuk Ya. O.
Chamber music works by Amanda Maier in the context of European Romanticism
121-135
Klendiy O. M.
Interpretative aspect of C. Saint‑Saëns’s piano music
136-153
Sediuk I. O.
The originality of neoclassic principles reflection in the Sonata for two pianos by Paul Hindemith
154-168
Uspenska I. O.
Violin concerto principles as a way of musical thinking: semantic discourse
169-188
Knysh P. O.
Gender approach in the analysis of performing versions (on the example of F. Chopin’s Second Piano Concerto performed by E. Kissin, C. Arrau, Lang Lang, M. Argerich, B. Davidovich)
189-199
Startsev D. À.
Musical notation in the aspect of the semiotics theory by Charles Morris
200-212
Chapter 3
Zhale³ko D.M.
The value transformation ànd semantic space of kitsch in the music practice at the turn of the 20th and 21st centuries
213-237
Nikolenko R. V.
Historical retrospective in the composer creativity by M.-A. Hamelin
238-252
Kordovska P. A.
Italian singer Daisy Lumini as an interpreter of the post-avant-garde music
253-266
Melnik V. Yu.
Aflamencado practice in the contemporary piano perfoming
266-280
Kuzmina O. A.
Opera for children-performers in the work of contemporary choir conductors
281-298
Kryvosheieva O. V.
Imagination as one of the key elements in the formation of a future actor psychotechnics
299-311
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