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C O N T E N T
volume 50 year 2018
Chapter 1 Pages
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Kovtoniuk Valeriya
A performing musician’s oeuvre through the prism of phenomenology.
 8-16
Kryhin Oleksandr
Segovia’s concert heritage as the basis of forming the guitar performing traditions of the XX century
 17-28
Lyan Tszitao
The image of Andrea from the opera “Andrea Chenier” by U. Giordano: the history of vocal interpretations
 29-42
Song Tian
Composer – Artist: The role of pianist Hsu Fei Ping in the creative activity of Huang An Lun
 43-60
Han Siuebin
Sang Tong’s contribution to the development of the national theory of harmony
 61-76
Sun Bo
The parameters of co-creation: a performing look at “The Six Romances for the Words by A. S. Pushkin” by G. Sviridov
 76-88
Wang Duangui
Re-semantization of A. Pushkin’s poetry in the creative work of V. Kosenko (on the example of “The Five Romances”, op. 20)
 89-102
Hrinik Tetiana
The practice of interpreting an artistic text. Punctuation as a mean of expressiveness and acquisition of phonation skills
 102-120
Arkadin-Shkolnik Oleksandr
Improvisational self-feeling in the upbringing of actor’s and stage directing mastery
 121-135
Chapter 2
Mits Oksana
The genre of the piano miniature in the creative work of M. Moszkowski
 136-148
Martynova Valeriya
Concerting oboe: timbre, technique, traditional and latest methods of playing
 149-165
Yan Yang
The formation of the Chinese orchestra of traditional instruments of a new type in the 1920s-1930s
 165-180
Boldyrev Volodymir
A folk song in the repertory of a vocalist as the way of forming multicultural performing traditions
 181-192
Paliy Iryna
Intertype evolution of the Black Dog composition in Robert Plant’ musical legacy
 193-202
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