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C O N T E N T
volume 49 year 2018
Chapter 1 Pages
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Aleksandrova Oksana
Spiritual and semantic approach to studying a musical composition
 4-18
Varavkina-Tarasova Nadiya
Joan’s of Arc Aria No. 7 from the opera "The Maid of Orleans" by P. Tchaikovsky: the spiritual symbolism of the canon of repentance when "trialed under the sign"
 19-35
Nikolayevskaya Yuliya
Contonation and communicative strategy as mechanisms of the 21st century music analysis
36-46
Filatova T. V.
Semantic aspects of harmony: the phenomenon of unlocked structures in romance lyrics of XIX century
 47-68
Chapter 2
Buchok Lianna
V. Telychko’s “Children’s Album” as an example of the modern tonal image of the world: peculiarities of the musical vocabulary and melodic ideas.
 70-84
Angelovskaya S.
The originality of the modern Ukrainian church oeuvre: on an example of the chants «All-night Vigil» Olena Yunek. Formulation of the problem
 85-99
Wang Duangui
The fret-harmonic content of the Chinese melos (on the example of samples for the voice and piano in the modern arrangement)
 100-114
Grebneva I.
”The image” of the violin in the creative work of A. Corelli (on the example of the concerto grosso genre)
 115-127
Kamenieva A.
Meditativity in the structure of art consciousness (on the material of the mass «And i said in my heart» by M. Shukh)
 128-140
Strilets Andriy
Kharkiv regional school of chromatic button accordion playing: the history, the personalities and the priorities of performing
 141-156
Sun Bo
Texture and harmony parameter of the vocal and performance style (a case study of G. Sviridov’s works)
 157-171
Tyshchyk V.
The system formation of professional accordionist’s skills on the example of V. Vlasov «Album for children and youth»
 172-187
Fartushka O.
Semantic function of the choral counterpoint in Canticum sacrum by Igor Stravinsky
 188-197
Yan Yang
The activities of the Chinese orchestras of the traditional instruments of the new type in the 1960s - 1970s
 198-211
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